LAILA TERRA
  • Fortaleza's studio
  • Woodcuts 2019-2021
    • Album 1
    • woodcuts 2019 - 2021
  • Exhibition - Red Black Blue Brown....
  • Pantone
    • euridice
    • paintings
    • screenprints
  • MACHINED (CNC)
    • process 1 - in search of the gutenberg galaxy. Studies and experiments on a new graphic process
  • screenprints
    • 2013 - 2011 >
      • Littlest Print Exchange
      • screenprints
    • 2010 - 2005 >
      • screenprint
      • boxe series
  • lithographs
  • 7th Mercosur biennial
  • study for posteriority
    • book
    • offsets
  • FROM THEORY TO PRACTICE
    • perpetual motor >
      • one hundred metronomes
      • sound box
      • badminton
    • UNCERTAInty theory >
      • Schrödinger's cat
      • act 1
  • Text, videos and studio
    • videos and texts
    • Studio Visit
  • Contact
  • Fortaleza's studio
  • Woodcuts 2019-2021
    • Album 1
    • woodcuts 2019 - 2021
  • Exhibition - Red Black Blue Brown....
  • Pantone
    • euridice
    • paintings
    • screenprints
  • MACHINED (CNC)
    • process 1 - in search of the gutenberg galaxy. Studies and experiments on a new graphic process
  • screenprints
    • 2013 - 2011 >
      • Littlest Print Exchange
      • screenprints
    • 2010 - 2005 >
      • screenprint
      • boxe series
  • lithographs
  • 7th Mercosur biennial
  • study for posteriority
    • book
    • offsets
  • FROM THEORY TO PRACTICE
    • perpetual motor >
      • one hundred metronomes
      • sound box
      • badminton
    • UNCERTAInty theory >
      • Schrödinger's cat
      • act 1
  • Text, videos and studio
    • videos and texts
    • Studio Visit
  • Contact
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YOUR CART

           
​           Process 1                 

Art seeks in time its contemporaneity. And the hand makes use of the brush, the lathe, the machine ... The hand creates. These passages measure and stumble into materialities. The mechanical means multiply, but the drawing commands the extension, without loss of the original. They remain unique, valuing the gesture. Panel fractals, circles, and swirls take rectilinear outlines in attractive computerized print engines. The unreleased transformed.
This is the beginning of my drawings made with the CNC. They are experiments, searches of extensions of my creation, through the use of pens, pencils, brushes attached to a mechanical arm, commanded by the original gesture digitized and inserted in the computer.


​Works P1, 2 and 3 are sets of drawings made with a CNC machine. Each series looks for a set of experiments on the form of drawing and the engraving ahead of a new technique of reproducion. Process 1, which has a more crass formal resolution, proposes to be the first to incorporate between the artist and a new technique. Called first experiences, it contains as the first discovery about a new technique. What can be produced? What to do? Should I reproduce or not?


Imagem
untitled (suite of 3)
hidrographic pen over paper
Machined drawing
50 x 70 cm each
2017
Imagem
untitled (suite of 2)
hidrographic pen over paper
Machined drawing
50 x 70 cm each
2017
Imagem
untitled (suite of 2)
hidrographic pen over paper
Machined drawing
50 x 70 cm each
2017
hidrographic pen over paper
Machined drawing
50 x 70 cm each
2017
Imagem
untitled 
hidrographic pen over paper
Machined drawing
100 x 70 cm 
2017
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